IL VIDEO DEL GIORNO – Il segno poetico

"Un minimo di contaminazione tra parola e immagine, tra simmetrico e asimmetrico, tra minimo e massimo non può realizzarsi che attraverso l'espandersi del segno verbale in un segno grafico che non ne sia l'equivalente, ma il proseguimento" (G. Dorfles)… Qui due corti animati di due poemi del poeta Billy Collins: "The dead" e "The best cigarette"

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The Dead
The dead are always looking down on us,
they say,
while we are putting on our shoes or making a sandwich,
they are looking down through the glass-bottom boats,
of heaven as they row themselves slowly through eternity.
They watch the tops of our heads moving below on earth,
And when we lie down in a field or on a couch,
Drugged perhaps by the hum of a warm afternoon,
They think we are looking back at them,
which makes them lift their oars and fall silent and wait,
like parents,
for us to close our eyes

The Best Cigarette

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#SENTIERISELVAGGI21ST N.17: Cover Story THE BEAR

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There are many that I miss
having sent my last one out a car window
sparking along the road one night, years ago.


The heralded one, of course:
after sex, the two glowing tips
now the lights of a single ship;
at the end of a long dinner
with more wine to come
and a smoke ring coasting into the chandelier;
or on a white beach,
holding one with fingers still wet from a swim.


How bittersweet these punctuations
of flame and gesture;
but the best were on those mornings
when I would have a little something going
in the typewriter,
the sun bright in the windows,
maybe some Berlioz on in the background.
I would go into the kitchen for coffee
and on the way back to the page,
curled in its roller,
I would light one up and feel
its dry rush mix with the dark taste of coffee.

Then I would be my own locomotive,
trailing behind me as I returned to work
little puffs of smoke,
indicators of progress,
signs of industry and thought,
the signal that told the nineteenth century
it was moving forward.
That was the best cigarette,
when I would steam into the study
full of vaporous hope
and stand there,
the big headlamp of my face
pointed down at all the words in parallel lines.

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